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Anjali Prabhu Contemporary Cinema of Africa and the Diaspora


Analyzing art house films from the African continent and the African diaspora, this book showcases a new generation of auteurs with African origins from political, aesthetic, and spectatorship perspectives. Focuses on art house cinema and discusses commercial African cinema Enlarges our understanding of African film to include thematic and aesthetic influence Highlights aesthetic and political aspects including racial identity, women’s issues, and diaspora Heavily illustrated with over 90 film stills Features selected stills integral to the filmic analysis in full color Moves beyond Western-oriented analytical paradigms

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Hilary Radner A Companion to Contemporary French Cinema


A Companion to Contemporary French Cinema presents a comprehensive collection of original essays addressing all aspects of French cinema from 1990 to the present day. Features original contributions from top film scholars relating to all aspects of contemporary French cinema Includes new research on matters relating to the political economy of contemporary French cinema, developments in cinema policy, audience attendance, and the types, building, and renovation of theaters Utilizes groundbreaking research on cinema beyond the fiction film and the cinema-theater such as documentary, amateur, and digital filmmaking Contains an unusually large range of methodological approaches and perspectives, including those of genre, gender, auteur, industry, economic, star, postcolonial and psychoanalytic studies Includes essays by important French cinema scholars from France, the U.S., and New Zealand, many of whose work is here presented in English for the first time

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Paul A. Schroeder Rodríguez Latin American Cinema


This book charts a comparative history of Latin America’s national cinemas through ten chapters that cover every major cinematic period in the region: silent cinema, studio cinema, neorealism and art cinema, the New Latin American Cinema, and contemporary cinema. Schroeder Rodríguez weaves close readings of approximately fifty paradigmatic films into a lucid narrative history that is rigorous in its scholarship and framed by a compelling theorization of the multiple discourses of modernity. The result is an essential guide that promises to transform our understanding of the region’s cultural history in the last hundred years by highlighting how key players such as the church and the state have affected cinema’s unique ability to help shape public discourse and construct modern identities in a region marked by ongoing struggles for social justice and liberation.

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Anjali Vats The Color of Creatorship

Carmela Garritano A Companion to African Cinema


An authoritative guide to African cinema with contributions from a team of experts on the topic A Companion to African Cinema offers an overview of critical approaches to African cinema. With contributions from an international panel of experts, the Companion approaches the topic through the lens of cultural studies, contemporary transformations in the world order, the rise of globalization, film production, distribution, and exhibition. This volume represents a new approach to African cinema criticism that once stressed the sociological and sociopolitical aspects of a film. The text explores a wide range of broad topics including: cinematic economics, video movies, life in cinematic urban Africa, reframing human rights, as well as more targeted topics such as the linguistic domestication of Indian films in the Hausa language and the importance of female African filmmakers and their successes in overcoming limitations caused by gender inequality. The book also highlights a comparative perspective of African videoscapes of Southern Nigeria, Ethiopia, and Côte d’Ivoire and explores the rise of Nairobi-based Female Filmmakers. This important resource: Puts the focus on critical analyses that take into account manifestations of the political changes brought by neocolonialism and the waning of the cold war Explores Examines the urgent questions raised by commercial video about globalization Addresses issues such as funding, the acquisition of adequate production technologies and apparatuses, and the development of adequately trained actors Written for film students and scholars, A Companion to African Cinema offers a look at new critical approaches to African cinema.

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Péclard Didier Negotiating Statehood. Dynamics of Power and Domination in Africa


Negotiating Statehood: Dynamics of Power and Domination in Africa provides a conceptual framework for analysing dynamic processes of state-making in Africa. Features a conceptual framework which provides a method for analysing the everyday making, contestation, and negotiation of statehood in contemporary Africa Conceptualizes who negotiates statehood (the actors, resources and repertoires), where these negotiation processes take place, and what these processes are all about Includes a collections of essays that provides empirical and analytical insights into these processes in eight different country studies in Africa Critically reflects on the negotiability of statehood in Africa

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Mensch Andrea A Companion to German Cinema


A Companion to German Cinema offers a wide-ranging collection of essays demonstrating state-of-play scholarship on German cinema at a time during which cinema studies as well as German cinema have once again begun to flourish. Offers a careful combination of theoretical rigor, conceptual accessibility, and intellectual inclusiveness Includes essays by well-known writers as well as up-and-coming scholars who take innovative critical approaches to both time-honored and emergent areas in the field, especially regarding race, gender, sexuality, and (trans)nationalism Distinctive for its contemporary relevance, reorienting the field to the global twenty-first century Fills critical gaps in the extant scholarship, opening the field onto new terrains of critical engagement

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T. Kline Jefferson Unraveling French Cinema. From L'Atalante to Caché


Unraveling French Cinema provides a much needed introduction to the complexities of French film for students, cineastes, and the movie-loving public. Looks at the differences between French and American national cinema Explores how French directors shape their films around two potentially divergent goals: the narration of a story and an elaboration of some theory about film itself. Demystifies the «difficulty» of French cinema, allowing the American movie-goer to enjoy films that are too often perplexing at a first viewing. Offers extended analyses of classic, New Wave, and contemporary French films—including L'Atalante, Adele H., The Rules of the Game, and Cache.

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Cool Hotels Africa/Middle East


Cool Hotels Africa/Middle East showcases a comprehensive selection of cutting-edge hotels that embody the best in contemporary hotel design. This useful flexicover guide is extensively illustrated with approximately 400 color photographs, highlighting the interiors and exteriors of these striking accommodations. This overview includes designs from Enrico Daffonchio, Peter Matkovitch and Ed Tuttle in locations as diverse as South Africa, Kenya, Mauritius and Morocco. An extensive compilation of the most contemporary hotels in Africa and the Middle East ? Illustrations and text provide useful information to both design professionals and travelers Test in English, French, Spanish, German, Italian

1228 RUR

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Paul E. Lovejoy Jihād in West Africa during the Age of Revolutions


In Jihād in West Africa during the Age of Revolutions, a preeminent historian of Africa argues that scholars of the Americas and the Atlantic world have not given Africa its due consideration as part of either the Atlantic world or the age of revolutions. The book examines the jihād movement in the context of the age of revolutions—commonly associated with the American and French revolutions and the erosion of European imperialist powers—and shows how West Africa, too, experienced a period of profound political change in the late eighteenth through the mid-nineteenth centuries. Paul E. Lovejoy argues that West Africa was a vital actor in the Atlantic world and has wrongly been excluded from analyses of the period. Among its chief contributions, the book reconceptualizes slavery. Lovejoy shows that during the decades in question, slavery expanded extensively not only in the southern United States, Cuba, and Brazil but also in the jihād states of West Africa. In particular, this expansion occurred in the Muslim states of the Sokoto Caliphate, Fuuta Jalon, and Fuuta Toro. At the same time, he offers new information on the role antislavery activity in West Africa played in the Atlantic slave trade and the African diaspora. Finally, Jihād in West Africa during the Age of Revolutions provides unprecedented context for the political and cultural role of Islam in Africa—and of the concept of jihād in particular—from the eighteenth century into the present. Understanding that there is a long tradition of jihād in West Africa, Lovejoy argues, helps correct the current distortion in understanding the contemporary jihād movement in the Middle East, Afghanistan, Pakistan, and Africa.

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Anjali Prabhu | Wellesley College

Anjali Prabhu Margaret E. Deffenbaugh and LeRoy T. Carlson Professor in Comparative Literary Studies. Theories dealing with race and inequity, colonial and postcolonial studies, the global eighteenth century, African studies, French and Francophone studies, cinema studies, Indian Ocean and Caribbean studies.

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Anjali Prabhu. Professor of French at Wellesley College. Works in postcolonial studies, Francophone studies, cultural theory (especially French theory), cinema studies, African studies. In July 2015 I assumed duties as Director of the Newhouse Center for the Humanities. I continue to teach classes in the French Department in the areas of my expertise: Francophone studies and theoretical issues ...

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Anjali Prabhu - 2011 - Journal of French and Francophone Philosophy 19 (1):57-70. Add more citations Similar books and articles. The Time of Hybridity. Simone Drichel - 2008 - Philosophy and Social Criticism 34 (6):587-615. Postcolonial Agency: Critique and Constructivism. Simone Bignall - 2010 - Edinburgh University Press. Between Speech and Silence: The Postcolonial Critic and the Idea of ...

Anjali (1990 film) - Wikipedia

Anjali is a 1990 Indian Tamil -language drama film written and directed by Mani Ratnam. It stars Raghuvaran, Revathi, Master Tarun, Baby Shruti Vijaykumar and Baby Shamili in the leading roles. The background score and soundtrack was composed by Ilaiyaraaja. Anjali was the composer's 500th film.

Prabhu (actor) - Wikipedia

Prabhu (born 27 December 1956) is an Indian film actor, businessman and film producer who has predominantly appeared in Tamil language films. He is the son of veteran actor Sivaji Ganesan, while his son Vikram Prabhu is also a Tamil actor.

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Anjali (2019 TV series) - Wikipedia

Anjali is a 2019 Indian Tamil-language soap opera starring Adhitri Guruvayappan, Subramanian Gopalakrishnan and Pragya Nagra directed by Bramma. It started airing on Vijay TV from 25 February 2019. Adhitri Guruvayappan plays the titular role. This series is the sequel of Kalyanamam Kalyanam. Synopsis. Anjali is a specially challenged kid. Suriya doesn't want Kamali to know that she delivered ...

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Duet (1994 film) - Wikipedia

Duet is a 1994 Indian Tamil-language romantic musical film written and directed by K. Balachander.The film stars Prabhu, Ramesh Aravind, Meenakshi Seshadri, and marks the debut of Prakash Raj in Tamil cinema. Inspired by the 1990 French film Cyrano de Bergerac, which itself was based on the 1897 play of the same name by Edmond Rostand, it revolves around two musician brothers in love with the ...

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Philippe Meers Explorations in New Cinema History. Approaches and Case Studies


Explorations in New Cinema History brings together cutting-edge research by the leading scholars in the field to identify new approaches to writing and understanding the social and cultural history of cinema, focusing on cinema’s audiences, the experience of cinema, and the cinema as a site of social and cultural exchange. Includes contributions from Robert Allen, Annette Kuhn, John Sedwick, Mark Jancovich, Peter Sanfield, and Kathryn Fuller-Seeley among others Develops the original argument that the social history of cinema-going and of the experience of cinema should take precedence over production- and text-based analyses Explores the cinema as a site of social and cultural exchange, including patterns of popularity and taste, the role of individual movie theatres in creating and sustaining their audiences, and the commercial, political and legal aspects of film exhibition and distribution Prompts readers to reassess their understanding of key periods of cinema history, opening up cinema studies to long-overdue conversations with other disciplines in the humanities and social sciences Presents rigorous empirical research, drawing on digital technology and geospatial information systems to provide illuminating insights in to the uses of cinema

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Mathijs Ernest Cult Cinema. An Introduction


Cult Cinema: an Introduction presents the first in-depth academic examination of all aspects of the field of cult cinema, including audiences, genres, and theoretical perspectives. Represents the first exhaustive introduction to cult cinema Offers a scholarly treatment of a hotly contested topic at the center of current academic debate Covers audience reactions, aesthetics, genres, theories of cult cinema, as well as historical insights into the topic

10756.56 RUR

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Emanuel Levy Cinema of Outsiders


A Los Angeles Times Bestseller The most important development in American culture of the last two decades is the emergence of independent cinema as a viable alternative to Hollywood. Indeed, while Hollywood's studios devote much of their time and energy to churning out big-budget, star-studded event movies, a renegade independent cinema that challenges mainstream fare continues to flourish with strong critical support and loyal audiences. Cinema of Outsiders is the first and only comprehensive chronicle of contemporary independent movies from the late 1970s up to the present. From the hip, audacious early works of maverick David Lynch, Jim Jarmusch, and Spike Lee, to the contemporary Oscar-winning success of indie dynamos, such as the Coen brothers ( Fargo ), Quentin Tarentino ( Pulp Fiction ), and Billy Bob Thornton ( Sling Blade ), Levy describes in a lucid and accessible manner the innovation and diversity of American indies in theme, sensibility, and style. Documenting the socio-economic, political and artistic forces that led to the rise of American independent film, Cinema of Outsiders depicts the pivotal role of indie guru Robert Redford and his Sundance Film Festival in creating a showcase for indies, the function of film schools in supplying talent, and the continuous tension between indies and Hollywood as two distinct industries with their own structure, finance, talent and audience. Levy describes the major cycles in the indie film movement: regional cinema, the New York school of film, African-American, Asian American, gay and lesbian, and movies made by women. Based on exhaustive research of over 1,000 movies made between 1977 and 1999, Levy evaluates some 200 quintessential indies, including Choose Me , Stranger Than Paradise , Blood Simple , Blue Velvet , Desperately Seeking Susan , Slacker , Poison , Reservoir Dogs , Gas Food Lodging , Menace II Society , Clerks , In the Company of Men , Chasing Amy , The Apostle , The Opposite of Sex , and Happiness . Cinema of Outsiders reveals the artistic and political impact of bold and provocative independent movies in displaying the cinema of «outsiders»-the cinema of the «other America.»

2338.38 RUR

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Группа авторов What Cinema Is!


What Cinema Is! offers an engaging answer to Andre Bazin's famous question, exploring his 'idea of cinema' with a sweeping look back at the near century of Cinema's phenomenal ascendancy. Written by one of the foremost film scholars of our time Establishes cinema's distinction from the current enthusiasm over audio-visual entertainment, without relegating cinema to a single, older mode Examines cinema's institutions and its social force through the qualities of key films Traces the history of an idea that has made cinema supremely alive to (and in) our times

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Группа авторов Christian Reflection in Africa


This reference collection presents academic reviews of more than twelve-hundred contemporary Africa-related publications relevant for informed Christian reflection in and about Africa. The collection is based on the review journal BookNotes for Africa, a specialist resource dedicated to bringing to notice such publications, and furnishing them with a one-paragraph description and evaluation.
Now assembled here for the first time is the entire collection of reviews through the first thirty issues of the journal’s history. The core intention, both of the journal and of this compilation, is to encourage and to facilitate informed Christian reflection and engagement in Africa, through a thoughtful encounter with the published intellectual life of the continent. Reviews have been provided by a team of more than one hundred contributors drawn from throughout Africa and overseas.
The books and other media selected for review represent a broad cross-section of interests and issues, of personalities and interpretations, including the secular as well as the religious. The collection will be of special interest to academic scholars, theological educators, libraries, ministry leaders, and specialist researchers in Africa and throughout the world, but will also engage any reader looking for a convenient resource relating to modern Africa and Christian presence there.

2961.17 RUR

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Frank Burke A Companion to Italian Cinema


Written by leading figures in the field, A Companion to Italian Cinema re-maps Italian cinema studies, employing new perspectives on traditional issues, and fresh theoretical approaches to the exciting history and field of Italian cinema. Offers new approaches to Italian cinema, whose importance in the post-war period was unrivalled Presents a theory based approach to historical and archival material Includes work by both established and more recent scholars, with new takes on traditional critical issues, and new theoretical approaches to the exciting history and field of Italian cinema Covers recent issues such as feminism, stardom, queer cinema, immigration and postcolonialism, self-reflexivity and postmodernism, popular genre cinema, and digitalization A comprehensive collection of essays addressing the prominent films, directors and cinematic forms of Italian cinema, which will become a standard resource for academic and non-academic purposes alike

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Масло авокадо Great Heart of Africa с чесноком 250 мл


Масло авокадо Great Heart of Africa с чесноком 250 мл

759 RUR
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Масло авокадо Great Heart of Africa с лимоном 250 мл


Масло авокадо Great Heart of Africa с лимоном 250 мл

759 RUR
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Масло ореха макадамии Great Heart of Africa 250 мл


Масло ореха макадамии Great Heart of Africa 250 мл

719 RUR
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Simone Haysom The Life and Death of Rowan Du Preez


Illuminating African narratives for readers both inside and outside the continent. Representing the very best of African creative nonfiction, Safe House brings together works from Africa's contemporary literary greats. In a collection that ranges from travel writing and memoir to reportage and meditative essays, editor Ellah Wakatama Allfrey has brought together some of the most talented writers of creative nonfiction from across Africa. In this creative nonfiction single from the Safe House anthology Simone Haysom reports on the life of a Cape Town petty criminal.

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